Translated by Roberta Lukaševičiūtė
Audiovisual - audio diary project curated by Dalija Kaukėnaitė.
The idea for the project came to Dalija in an old Italian elevator, when she spotted a little shelf in it and seized the chance to film herself while listening to music on her headphones. This moment turned into a monthly playlist experiment disclosing a different audiovisual narrative inspired by places and experiences of the month. Each playlist is then followed by a short video clip that Dalija films herself.
Dalija Kaukėnaitė is an art director and graphic designer, pursuing Master's degree in Visual Arts and Curatorial Studies at Nuova Academia di Belle Arti, Rome, Italy. Over there, she experiments with different forms of visual expression that suit her current artistic ambitions, one of them being painting. Dalija has always had an interest in music, which she has expressed through various forms of visual art. During her Bachelor studies at Vilnius Design College, she investigated the history of music albums design.
More about the research here.
SONIC REALITY CHECK X SUKASI DIGITAL
The fifth SRC playlist was dedicated for sukasi.digital audio magazine. It consists of instrumental as well as more experimental music. There are many possible interpretations of experimental music, and this playlist represents Dalija's take on the genre, as well as her perception of the sukasi.digital platform.
“The description for the "God's eye view" perspective, provided in cinematic terminology, can also quite accurately capture the essence of the video's message. A glimpse into a private moment on a daily basis. From time to time, you may aimlessly move around the room. Sometimes, while staring at one dot, you might find yourself chewing on the tip of a pen. Right now, I'm tossing the tennis ball into the air, while an hour-long playlist that doesn't contain any words flows through my earphones.”
This nearly hour-long playlist features 17 tracks embracing experimental electronic music from the late 90s to the present. Fans of electronic music will recognise cult musicians such as Casino Versus Japan and Boards of Canada, that were particularly prominent in the early 2000s. I hope my souvenir from the Rome electronic scene surprises you, though. I'm referring to Jomoon and Samuele CYMA. The latter is a recent, unexpected discovery from one of the parties in Rome, where they performed with a saxophone virtuoso Federico D'Angelo. It is also worth noting alva noto, whom I discovered visiting the MACRO museum exhibit where I suppose, mass meditation while listening to this incredible artist happened. Finally, I recommend turning on Airplane Mode while listening to this playlist, since it was thoughtfully curated to give you an hour-long soundscape experience. Have fun listening!"
SONIC REALITY CHECK X SUKASI DIGITAL TALK WITH DALIJA
Dalija: I'm going to close the window. This is an important matter. The filming needs to be respected.
Povilas: Yeah, like, what if a kitty climbs through the window?
Dalija: So, let’s do this.
Povilas: Hello. You’re listening to the audio magazine sukasi.digital. I am Povilas Jatkevičius and today’s guest is a very interesting individual. Dalija Kaukėnaitė is an upcoming artist that recently experienced major life changes. Leaving behind the familiar Vilnius life, she enrolled at the Nuova Accademia di Belle Arti academy in Rome. Over there, she began her new creative and experimental pursuits. One of them is a project called SONIC REALITY CHECK!, which combines audio and visual components. Through this Zoom call, we’ll go through the purpose of this project, and Dalija’s current activities. Enjoy!
Povilas: So, you’re currently residing in Rome?
Dalija: Yes. I've lived here for about six months, having moved in mid-September.
Povilas: And what’s the purpose of your stay?
Dalija: I’ve enrolled into an academy here. Currently studying Master of Visual Arts and Curatorial studies. Doing a Master's and going abroad have always been in my plans. After finishing Graphic Design studies, I wasn’t sure about the next step regarding my Master's degree, though I knew for sure it wouldn’t be related to Graphic Design. I was looking for the ability to dig deeper into arts and get specific. But I was having a hard time selecting an appropriate programme until I found this place. Not only is the curriculum extensive, cultivates the seek for an individual way of expression or personal research, but also provides lots of theory on art in general. Along with being tired of Vilnius and my job, this was one of the reasons I started studying. After graduation, I worked nonstop for 6 years. I started feeling that I couldn't keep up or create something for myself, like filming, painting, or something else. You feel like investing all the creative energy into works, however some are very captivating and flourish, while others are not. In the end, they exhaust you and make you wonder is this the best way to spend my time and creative energy. It was time to choose, and I opted to jump off the edge and see what happens.
Povilas: It was necessary for you to do that, right? Experiencing that "into the unknown" moment at the same time.
Dalija: Absolutely. I had a solid job, close friends, and Vilnius was a city that I had fully explored. Everything was familiar, therefore created a comfort zone. Thus, I left everything. Although I came to Italy by myself, I had a strong sense that this is where I was meant to be. If this really is a once-in-a-lifetime chance, I need to get moving. The timing was somewhat intriguing.
Povilas: You worked in an agency before you left Vilnius, doing graphic design work for other people, right?
Dalija: Yes. Initially, I worked as a designer. Later moved on to creative position in advertising; I've been an art director for about three and a half years. My first true love was graphic design, which I fell madly in love with when I was a teenager. I started studying and found that to me, graphic design is more of a way to express oneself than a means of communication. This field's purpose is to convey a certain message. But once I got a job, I found that such a technical job has too many rules and restrictions, which made me decide to change job within a few years. My experience as an art director has provided me with the skills to conceptualise large-scale projects. For example, it could be the full campaign, from the poster to the video or website as an end product. But it's also my job to maintain that vision while working with different people, like photographers, directors, designers, and so on. From the present perspective, this role was a transition from freelancing in graphic design to creating art without guidance. My art director position helped me discover the right balance between freelancing with music, theatre, other artists, and those who create for themselves. I always found more joy in collaborating with other artists with main goal being to execute ideas rather than to sell.
Povilas: You said that you got tired of Vilnius. What are your thoughts on Rome? Many people, including me, have only visited this city on vacation. What does this city look like when it's not summer, and there are no tourists?
Dalija: To begin with, Rome is a massive city, particularly in comparison to Vilnius. However, the vastness of the city liberates you. I'll stay for two years and know I'll still get lost somehow. Knowing every corner of Rome is an impossible task. It's comforting to learn something new every day, though. However, winter is colder than I had considered. Because it gets really humid here, I had to wear my puffy jacket from Lithuania at times. And, as we've already talked, I have noticed people's amiability despite the humid and freezing weather during the winter. People here are really open and discuss things out. Everything is done in a straightforward manner. When I returned to Vilnius for the first time since leaving, I told many people that in two months in Rome, I had more open conversations with strangers than in two years in Vilnius. Because Romans are so comfortable sharing their lives with total strangers, you'll feel like you're part of a community in no time. My own experience of feeling like an emigrant was brief. Building relationships with others around you is the key to escaping that sense of limbo where you don't know what to do. It was easy to find that shared connection in Rome. In general, there are various exhibitions and events. When it came to electronic music, though, I had to ask around for recommendations. As soon as I arrived, I started asking about party spots. I've been told that there aren't many techno clubs here. That is technically correct, yet, Rome has these event series where you can obtain information about them either through other people or social media. Over those six months, I've found several good locations.
Povilas: Do these event series happen in different locations? Or are these locations fixed?
Dalija: Both statements are true. There are various fixed venues dedicated to experimental music events, so on Wednesday you can see someone perform with a guitar, and on Saturday there will be a rave party. However, there are some great places where events are held in various locations and each time there’s a new concept.
Povilas: Now that I'm interested, I'll make sure to ask for suggestions the next time I'm in Rome. Especially since you said that visitors have a hard time finding out about this because it’s only through the word getting around. Good. Now, let's talk about where you are now in the visual arts. You've had a variety of experiences in graphic design. You also discussed exploring other fields. Please elaborate. Also, define SONIC REALITY CHECK! - Is this a side or main project?
Dalija: Indeed, I seem to be dodging graphic design somehow. Once I thought I'd never design again. I might have only needed to get rid off the "graphic designer" label. It's absurd, but I felt like I was going to destroy my entire portfolio. Now that I've rested, I can feel the joy returning. I'm painting a lot and experimenting with filmmaking. There is something unfolding behind me.
Povilas: The setting does look like an art workshop. That's your apartment, right?
Dalija: Yes. This is where I sleep, paint, and read. So, yes. I currently paint and make films. SONIC REALITY CHECK is linked to these activities. Since moving to Rome, I've been shooting myself in various areas of the city. I became deeply involved in this self-documentary about adjusting to a new environment. Many clips show me walking, drinking coffee, talking to someone, and walking the dog I had to watch for a few days. This entire relationship between myself and urban landscapes, public space has simply captivated my interest. It's more interesting to me to work with shooting and a dynamic view than with a static view, when it comes to graphic design. So yeah, I've been shooting a lot lately. I have no idea what will happen to the footage in the end, but I've started putting it all in an appropriate folder. Two pieces make up SONIC REALITY CHECK First, visuals—I videotaped myself in my elevator for the first episode. One morning, I was taking this classic Italian elevator and saw a shelf. I thought, "This could make a great angle!" at the time. So, I tested it, and it appeared to be really good. I decided to use the material in some way in the future. When it comes to music, I am constantly on the lookout for new music, and it is very important to me. Finding a song with 200 listens or a band and reading about them has always seemed magical and dear. For a long time, I spend time suggesting new songs to my friends—those who share my passion for music. It's always fun to exchange tracks with people. For years, my Vilnius friends told me, “Dalija, start DJ’ing, or something else”. Unfortunately, I'm shy and nervous, so I didn't do anything. Then I moved to Rome and decided to find an alternative way to continue suggesting music. The self-filmed footage and the sonic experience were something I wanted to merge. This is how I came up with the idea for an hour-long playlist that feels like a casual radio show. Every month, I compile a playlist for SONIC REALITY CHECK that features music that I've recently discovered, played a lot, or simply enjoy. I'd listen to them on my way to lectures, to parties, or while walking in the park. So, every time I upload a video, it's of me in a specific setting, where I'm listening to music. Just me and my cheap, white earphones. I was searching for stability and space that would not be influenced by a specific station or a slightly daunting DJ deck. I also needed the combined experience searching for the video and curating music. The playlist's order also isn't random, so people can listen to it from start to finish.
Povilas: Has this project changed the way you see music? For example, do you feel pressured to discover more? Does this project affect the way you listen to music in any way?
Dalija: Yes, occasionally. For example, I was really busy this month, with many tasks to finish and at that time some of my favorite artists released new music. As a result, I became fixated on only about five tracks. That hyperfixation hooks you in, and you don't want to listen to anything else.
Povilas: Happens.
Dalija: Yes, indeed. Oh, and before you know it, the month just passed by. And I'm like, "Wait, I don't have a playlist!" But the project is personal, and I don't think anyone really cares, so I don't give it much thought. Throughout the month, I simply end up discovering something, initially by chance, and then by browsing related artists on platforms such as Spotify. Thus, appears that playlist. Before that, though, it didn't matter if I found 20 new acts in two weeks or two months. I'd never notice the passage of time. Right now, time goes, and then I'm like, "Oh, a month has passed". However, I like discipline and structure. And, in my perspective, SONIC REALITY CHECK provides that appropriate time restriction.
Povilas: So, all of the playlists you make are on Spotify?
Dalija: Yes.
Povilas: Is Spotify the only listening platform, or do you use others? And, as Spotify is quite limited, do you always manage to find all of the tracks?
Dalija: Surprisingly, Spotify now offers a wide variety of songs. It is my everyday listening platform. This may sound controversial, but I like reading album or track reviews on Pitchfork and The Rolling Stone when researching music. Additionally, I take a look at Bandcamp. I've recently stumbled into some record labels based in Rome or Italy that release experimental music exclusively on Bandcamp. But I usually find the same bands on Spotify, even if they only have 3 followers. So, while I find a lot on other platforms, everything is also available on Spotify. As a whole, Spotify appears to be easy for anybody to use. It's always either this or Apple Music. However, Spotify appears to be more inclusive, and you don't have to be a melomaniac to find music there.
Povilas: However, isn't Spotify kind of a bubble? I've had a few remarks stating "why Spotify, though?" or "not everyone has Spotify", and I became confused. Another concern with Spotify is the royalties’ scandal, which involves unjust payments to artists. What about Apple Music, though? I assume you have an iPhone, right?
Dalija: Yes, I do. But it's some kind of habit. My housemate switched to Apple Music, saying that the music quality is better there. Having used Spotify for like 100 years or so, I'm rather accustomed to it. It works well and is a habit. When it comes to unpaid artists, this is a global issue, and it sucks to hear that. The question is how to make things better. So, what's the alternative? Put that playlist on YouTube? You can't even lock your phone when something is playing there. I have also considered generating mixes. I attempted to make some myself but realized that it required additional skills, so I gave up. As of now, Spotify is the best option.
Povilas: Then, let's discuss the meaning behind the project's name. Personally, it reminds me of Sonic the Hedgehog. Does it refer to this video game character or does it take its literal meaning, which has to do with sound?
Dalija: This name carries a double meaning. I made it impulsively, on the spot. There is a resemblance to Sonic, though. In general, this reality check can be compared to an audio version of a monthly diary. The first meaning of Sonic is speed; within an hour, you can roughly imagine how my month has gone by. The mood of the month might swing from sorrowful to fun at any given time. The other definition is that of sound. As if it's an audio update on my month.
Povilas: Does Sonic the Hedgehog have any connection to you?
Dalija: No. The speed that I’ve mentioned is the only connection.
Povilas: I'm also asking this because you had to record the introduction for this project. And the recorded voice is slightly pitched, which reminded me of Sonic. Is this your voice? What sound is that, and how did you make it?
Dalija: I needed a background voice. Initially, the plan was to sing the opening in a silly way, and to generate a foolish harmony part. But I've realised that this is a bit beyond my abilities. Then I decided to look up a singing voice generator on Google. I discovered a website that allows you to have your text generated with 20 different voices. The voice I chose belongs to Fulvia, an Italian girl. This pronunciation was so fun and satirical, perfect for emphasizing moving to Italy and listening to broken English daily. However, there are certain challenges. Sometimes the voice distorts the band name, so I can't use it. So, yes, that's just me having fun with AI.
Povilas: Interesting. I assumed that was your voice, only modified. Okay, we have one minute left on our Zoom call. I'll call you again since there are a few more things to discuss.
Dalija: Okay.
Povilas: So, we've tackled several topics earlier, such as AI, voice, and SONIC REALITY CHECK What do you think will happen with this project in the future? Would you like to extend it?
Dalija: Yes. I thought about it a lot. Although I may lose interest in this project in the long run, I would still like to move forward with it. Though doing it for myself is fun, having a goal is also great. I have a sense that with time, I will get the courage to go live. It would also be good to make it into a radio show. For example, once a month or bimonthly. However, to me, it’s important to maintain that visual aspect of the project, which you lose, once it’s on the radio. My bachelor's thesis focused on music album covers, and I've always been fascinated by the synthesis between audio and visuals. And, since I'm drawn to video these days, the ability to use it for storytelling while including music, and the exploration of how to visualize all of that may not remain simply a thing of SONIC REALITY CHECK, but may evolve into my personal experimentation with music videos. I'd really like to follow this path. SONIC REALITY CHECK may go live, however. I have actually scheduled a broadcast with a Roman radio station. The station is called Rough Radio. While they mostly have a website, there is one store where you can find their DJ setup. The recordings artists make there are afterwards uploaded to the website. I had live arranged; they enjoyed my selection. However, as I attempted to put together the mix, I realised it was not going to work, at least for the moment.
Povilas: Are you trying to learn how to mix, though?
Dalija: Taking baby steps, yes. Currently, though, when I'm putting together such playlists, I'm more concerned with making an hour-long narrative out of them, complete with an introduction, a musical climax, and an outcome. Every time I try to create a mix featuring various genres and BPMs, I realise that I just need to learn how to lead smooth transitions. This is a very different creative process. That's why I take my time with it. Additionally, mixing is slightly altering the idea of the project as I concentrate more on adding the right BPMs. The playlist's narrative changes. That's why I'm staying in my comfort zone for now making playlists based on mood instead of technical limitations.
Povilas: Since your dive into the synthesis of audio and video is so fascinating, I imagine it must be exciting to search for locations. Locations must follow you.
Dalija: Indeed, it is a continuous exploration.
Povilas: And when it comes to Spotify, there is a feature that allows you to see those small visual clips attached to the songs.
Dalija: I absolutely enjoy this feature. This brings us back to the idea of building a personal little world. And the clips you may see on Spotify do serve as an additional key, revealing even more of that little world that musicians represent. Since this has been an ongoing theme in my life for a long time and is one that I am interested in delving further into, I find it incredibly fascinating.
Povilas: This may sound like a utopian vision, but imagine a physical listening device, similar to vinyl, that also shows live visuals.
Dalija: Like a hologram.
Povilas: Exactly.
Dalija: For example, a hologram of 2pac.
Povilas: Like, there is a vinyl that still gives off old-school vibes, but the listening experience is new. That would be cool. Okay, I have one last question for you. Coming back to Rome, the place that, as I understood, liberated you and encouraged to experiment further, and which appears to be an important element of SONIC REALITY CHECK, given that you indicated that the first clip for this project was created in that Italian elevator. How would you characterize Rome's soundscape? For example, in Vilnius, it could be the sound of a trolleybus or electricity running through trolley poles. Something like that.
Dalija: That's a wonderful question. That would be metro, which we do not have in Vilnius. All the noises generated by the metro and its rails. The sound of a fork and knife touching the plate while eating pasta must also be included. All the footfall, chattering, and friendly Italians speaking loudly. A chaotic noise that doesn't exhaust you. It's a great synthesis of different, uninterrupted noise. This whole chaos really contributes to its fullness. Oh, and lots of scooters and bikes
Povilas: Nice, more space for imagination. My favourite was the one with the fork and knife touching the plate. Thank you for this conversation. It was a pleasure to talk to you.
Dalija: Thank you for asking such great questions. It was a pleasure speaking with you as well.
Povilas: I'm looking forward to the special edition of SONIC REALITY CHECK! playlist for sukasi.digital. It will be intriguing to see what you will choose for the visuals and the playlist this time around.
Dalija: It'll be a fascinating exploration. I might even find and include some of the soundscapes we talked earlier. This whole situation sparked a few ideas in my mind. The soundscape could even serve as a great starting point for this research.
Povilas: Thanks again. Until next time!
Dalija: Bye.